For the record, I tried to get to the Super Bowl toboggan in Times Square. I even went there, which is basically against my religion. Alas, my timing failed.
Then I tried talking to one of those people with the “What Does the Bible Really Say” stands in the subway. First time talking to anyone in the subway, that’s for sure. But I’m a reporter, so it just felt familiar. New people can count as something new, but while the young women I spoke with was very nice, she just didn’t… well, it didn’t feel like a new experience.
So I went to temple. I’ve been to synagogues, of course. I’m not religious, but I did the High Holy Days with my family, the bar mitzvah circuit 20-plus years ago… If I recall correctly, however, tonight might have been my first Friday night service. It was also my first time attending services at The Village Temple, and while there are familiar elements to every service, every congregation is very new in its own way.
Unlike the gaping sanctuary of Temple Emanu-El, where I grew up, the Village Temple is small, with very few adornments. In the absence of the rabbi this evening (home with a cold, I believe), the service was lead by a member and what they called a “cantorial soloist,” a gentlemen whose bespoke tallit both allowed arm movement to play his guitar, and reflected the tribes of Israel, as well as his Moroccan heritage.
The environment was informal, warm and welcoming. The service was probably about three-quarters music, and at one point, several women rose from their seats, joined hands, and danced up and down the aisle.
The temple is doing a “prayer project,” in which different members reflect each week on a prayer. This week, the prayer was Oseh Shalom, one that I’ve only known in song. The translation is:
He who makes peace in his high places, he shall make peace upon us, and upon all of Israel, and say amen.
The first woman who spoke talked about the struggle to find both community peace and individual peace, particularly the latter. Praying for peace, she said, feels like the easy way out.
The second woman pointed out that “peace” is a homonym for “piece,” as in the pieces or shards of the vessels shattered when overfilled with the divine light of God, and reminded the congregation that part of achieving peace is tikkun olam — world repair, or, in essence, putting the pieces back together.
The prayer book, which was compiled in a binder, contained not only Hebrew prayers, but quotes related to spirituality, as well as song lyrics (Joni Mitchell, Bob Dylan) that reflected upon the spirit of what it seemed they were trying to convey — peace, renewal… Frankly, I was a little disappointed we didn’t get to sing “Forever Young.” I definitely know that one.
Before reading the mourners kaddish, the leader read “Epitaph” by Merritt Malloy
When I die, give what’s left of me away
To children and old people who wait to die.
If you need to cry,
Cry for your brother and sister
Walking the street beside you.
And when you need me,
Put your arms around anyone and
Give them what you need to give to me.
I want to leave you something,
Something better than words or sounds.
Look for me in the people I’ve known or loved.
If you cannot give me away,
At least let me live in your eyes,
And not in your mind.
You can love me most
By letting hands touch hands,
By letting hearts touch hearts,
And by letting go of
Spirits who need to be free.
Love does not die, bodies do.
So, when all that’s left of me is love,
Give me away.
The service ended with a brief memorial discussion of the recently departed Pete Seeger and his contribution to Jewish musical heritage, particularly his rendition of “Tzena, Tzena, Tzena.”
Apparently, that’s the only Israeli song to ever be a top ten folk song in America, so that was something to learn.
But more importantly, I learned, or really more was reminded, that there is something really nice about a reflective environment at the end of a long week, in whatever form that environment takes.